Wednesday, August 12, 2026

O Americano Feio? (Ithaka Darin Pappas) PÚBLICO - Suplemento Pop-Rock (Quinta-feira 10 Abril 1996)



Público

 - Suplemento Pop-Rock (Quinta-feira 10 Abril 1996)
excerto do artigo, O Americano Feio? por Jorge Dias 


O greco-americano Ithaka Darin Pappas participou em "So Get Up" dos USL e assinou o album, "Flowers And The Color Of Paint". Estão certamente entre os projectos mais fortes da música de dança feita em Portugal nos anos 90s. Entretanto, Ithaka viajou pelos Estados Unidos e o seu nome ficou um pouco esquecido. Até agora quando regressa a Lisboa para pôr em causa as sua antigas ligações.



Pappas "versus" USL-Kaos
Ithaka Darin Pappas passou alguns meses em Los Angeles, cidade de onde é natural e onde fez algums contactos para conseguir um "manager" e um advogado. "Fui aos Estados Unidos porque havia uma séria de problemas a resolver aqui. Um deles foi que fiz un disco em 1994 com os Underground Sound of Lisbon [USL] e, quando o gravámos, foi uma coisa entre amigos, estavamos a fazer arte em conjunto e foi uma coisa boa. Fiz um acordo verbal com eles segundo o qual receberia 25 mil escudos (approx. 120 €) por mil discos que fossem lançados em Portugal. Nunca se falou de contratos nem de distribuição no estangeiro."
Desde então, "So Get Up" – que era originalmente o lado B do maxi que tería por tema principal "Dance With Me" – fez furor nos Estados Unidos, para onde o disco foi enviado, transformando os USL, de que fazem parte Rua da Silva (Doctor J) e Tó Pereira (DJ Vibe), no projecto de "dance music" nacional mais aclamado a nivel internacional.

"O tema entrou para as 'charts' e foi lançado em muitos paises, mas eles não reconheceram a minha participação. Apesar de muitas das remisturas que foram feitas – principalmente as de Danny Tenaglia e Junior Vasquez, as mais populares- practicamente só reterem as minhas palavras e a minha voz. Nessa ponto é questionável quem é realmente o artista. É o Ithaka? Ou são os USL? Quando se 'descartaa a musica original e faz outra é questionável. É que não sou membro dos USL….?", diz Ithaka. E acrescento: "Pode perguntar-se a quem se quiser, nos Estados Unidos ou em Portugal, o que é que indentifica a canção: são as palavras. Neste tipo de música, que há numeras versões diferentes, a etiqueta são as palavras. A canção é o poema."

Dai que Ithaka reclame direitos de interpretação – "royalties", uma vez que os direitos de autor lhe pertencem por direito – sobre os lucros com "So Get Up". É que o poema a que Ithaka dá voz no "intro" do tema tinha sido escrito seis meses antes de ser convidado para juntar-se aos USL, depois de estes o terem ouvido numa emissão do programa Quatro Bairro, da Rádio Comerical. Segundo António Cunha, da Kaos, editora dos USL – e depois de o PÚBLICO ter marcada uma entrevista com Rui da Silva que acabou por não acontecer-, "o que passa é a vlha história de negócio da música: quando as coisas têm sucesso há sempre alguema tentar aproveitar-se".


https://www.discogs.com/artist/468212-ITHAKA


PUBLIC - Pop-Rock Supplement (Thursday, April 10, 1996) excerpt from the article, The Ugly American? by Jorge Dias The Greek-American Ithaka Darin Pappas participated in "So Get Up" by USL and signed the album, "Flowers And The Color Of Paint". They are certainly among the strongest dance music projects made in Portugal in the 90s. Meanwhile, Ithaka traveled through the United States and his name was somewhat forgotten. Until now, when he returns to Lisbon to question his old connections. Pappas "versus" USL-Kaos Ithaka Darin Pappas spent some months in Los Angeles, the city where he is from, and where he made some contacts to get a manager and a lawyer. "I went to the United States because there were a number of problems to solve here. One of them was that I made a record in 1994 with Underground Sound of Lisbon [USL], and when we recorded it, it was a thing between friends, we were making art together and it was a good thing. I made a verbal agreement with them according to which I would receive 25,000 escudos (approx. €120) for every thousand records released in Portugal. There was never any talk of contracts or distribution abroad." Since then, "So Get Up" – which was originally the B-side of the maxi-single whose main track would be "Dance With Me" – has been a sensation in the United States, where the record was sent, transforming USL, which includes Rua da Silva (Doctor J) and Tó Pereira (DJ Vibe), into the most internationally acclaimed national "dance music" project. "The song entered the charts and was released in many countries, but they didn't acknowledge my participation. Despite many of the remixes that were made – mainly those by Danny Tenaglia and Junior Vasquez, the most popular – practically only retaining my words and my voice. At that point, it's questionable who the real artist is. Is it Ithaka? Or is it USL? When you 'discard' the original music and make another one, it's questionable. I'm not a member of USL…," says Ithaka. And I add: "You can ask anyone you want, in the United States or Portugal, what identifies the song: it's the words. In this type of music, which has numerous different versions, the label is the words. The song is the poem." That's why Ithaka claims performance rights – "royalties," since the copyright belongs to him by right – on the profits from "So Get Up." The poem that Ithaka sings in the song's "intro" was written six months before he was invited to join USL, after they heard him on a broadcast of the program Quatro Bairro, on Rádio Comercial. According to António Cunha, from Kaos, USL's publisher – and after PÚBLICO scheduled an interview with Rui da Silva that ended up not happening – "what's happening is the old story of the music business: when things are successful, there's always someone trying to take advantage."

Sunday, August 9, 2026

Glasgow DJ Kevin McKay talks Danny Tenaglia's celebrated remix of "So Get Up" by Underground Sound of Lisbon ft. Ithaka 

 WATCH HERE: https://fb.watch/IUoHmR1wK0/ 

 Kevin McKay (April 25th 2026): 
“I never forget the first time I heard this record. 
Back in 1994 when Danny Tenaglia 
was playing in Glasgow for the first time. 
He was playing Harry & Oscar’s Sunday Night 
at the Voodoo Room. 
Every DJ in the town was there 
and this is the one 
they were all talking about the week after. 
This was New York house but not as we knew it. 
Glasgow was always big on heavy records. 
So when Danny Tenaglia and Junior Vasquez 
started taking that New York sound 
and wrapping it up with acid noises 
and razor sharp synths. 
Glasgow was all over it. 
And the minute the voice* comes out of this record, 
“the end of the earth is upon us” 
everyone on the dance floor was like, 
what the fuck is this? 
And the beats and the groove 
and the analog that followed,
the whole place went absolutely crazy. 
I remember trying to track it down the next week. 
It wasn’t out yet. 
And when the promo finally arrived in my door. 
I was like, “Oh yes, I cannot wait to play this”. 
But the the trouble with that vocal i
s because it’s so iconic, it became overplayed. 
So I only got to play it a few times. 

I dug it out again recently to see 
whether it would still work. 
And boy does it still work. 

This is the Underground Sound of Lisbon (ft. Ithaka) 
with “So Get Up”, 
Danny Tenaglia’s “In The Light We Sleep Mix” 
on Tribal 1994. Check it out."

So get up, forget the past 
Go outside and have a blast 

Lyrics & vocals: Ithaka Darin Pappas © 1992 Ravenshark Music/ASCAP/North Music Group https://youtube.com/shorts/nPFj9Jg2m2k?is=mrYxXyHIh1V1aS-Z #90shousemusic #tribalhousemusic #acidhousecollective 

NOTE: The rarely credited vocals of the iconic song "So Get Up'" were written and vocalized by Greek-Californian Ithaka Darin Pappas (known more frequently by his mononym Ithaka).