Showing posts with label short story. Show all posts
Showing posts with label short story. Show all posts

Friday, December 12, 2025

"Moments of Insanity" by Ithaka Darin Pappas


https://www.amazon.com/Moments-Insanity-Part-Ravenshark-Chronicles/dp/B0BV4CSN23


A young American expat paddles his surfboard to an uninhabited Atlantic island off the coast of Rio de Janeiro, in search of adventure, but questions his own mental stability.


Product details

  • ASIN ‏ : ‎ B0BV4CSN23
  • Publisher ‏ : ‎ Sweatlodge Publishing
  • Publication date ‏ : ‎ February 5, 2023
  • Language ‏ : ‎ English
  • Print length ‏ : ‎ 65 pages
  • ISBN-13 ‏ : ‎ 979-8376066768
  • Item Weight ‏ : ‎ 4.3 ounces
  • Dimensions ‏ : ‎ 5 x 0.15 x 8 inches
  • Book 4 of 6 ‏ : ‎ Ravenshark Chronicles


Ithaka Darin Pappas (nacido el 8 de julio de 1966), conocido profesionalmente como Ithaka, es un artista multidisciplinario estadounidense de ascendencia griega que crea utilizando la música, la escritura, la escultura y la fotografía (tanto como entidades independientes como en combinación). Es autor de una colección de poemas y relatos, titulada Ravenshark Chronicles, publicada en revistas y periódicos internacionales, que en ocasiones han servido de base para su lírica de viajes. En 2025, el periódico Expresso afirmó que las letras de Ithaka, «Olvida el pasado, sal a la calle, diviértete», son palabras que, en algún momento de los años 90, tuvieron tanto impacto mundial como la famosa expresión de Timothy Leary: «Enciende, sintoniza, abandona». En un artículo de 2005 para la revista Waves, el periodista Ricardo Macario describió a Ithaka como «El Hombre Misceláneo». En una reseña de 2008 del sexto álbum de Ithaka, Saltwater Nomad, la plataforma de cultura surf en línea Surfline afirmó que "el artista transita sin esfuerzo y con facilidad entre todos sus medios de expresión elegidos [música, escultura, escritura y fotografía]", y que "el viaje de su vida es un acto de equilibrio conmovedor en algún lugar entre los mundos de la creación eufórica y la diversión acuática"

https://en.wikipedia.org/wiki/Ithaka_Darin_Pappas_bibliography

Wednesday, May 3, 2023

“Th’ Expense of Spirit” and "Stellafly" works by anti-Petrarchan poets William Shakespeare and Ithaka Darin Pappas compared

















Excerpt of "Destructive Desire As Demonstrated by Four Writers from Different Spots in Time" by S. Peckenpaugh “In like a fly. Out Like a fly She’d mixed up my head. She’d driven a fork right through my fucking heart. … I miss you too my Stellafly" (“Stellafly” last stanza) 1 Love and intense desire ignite the burning flames of which lead to destruction. Along with Ithaka Darin Pappas’ “Stellafly” and Shakespeare’s “Th’ Expense of Spirit”2 all share the same theme. Desire is not without pain and havoc. Two ways that this damage is demonstrated are: self-destruction because of the love and/or desire for another, and destruction of love-feelings in the fulfilling of lustful desire. The huge span of years that these two pieces cover illustrates the inevitable love traps that are but a part of what we refer to as “the human condition”. … The rewards Stella and Stan had in “Stellafly” (even though their love was unacknowledged) were wiped out in this way. Before either had admitted those feelings to the other, they came home drunk one night and fell victim to lust. The love was there, but they were afraid to admit it. “But I loved this little girl, Miss nineteen-year-old-motormouth-know-it-all. She loved me too, But was afraid to admit it. For the simple reason that I didn’t look good on paper.” (lines 76-80) Their insecurity destroyed potential joy. Her insecurity was how her family back home would see him and his insecurity was about how he saw himself through her. There were many opportunities for them to share their love, but their uncertaintly kept them from exposing their emotions. They never communicated their feelings for one another.. Booze made them finally face their sexual desires. “The worst because of its four-second duration and transformation of a girl who talked, laughed / ate with me / and cared about me, / into one who only said / Hi Stan. / Bye Stan.” (lines 127-134) Unfortunately, because of the guilty, empty feelings of lust, everything they had and could have had crumbled down to nothing in the way Shakespeare had warned in his sonnet: “A bliss in proof, and proved, a very woe;” (“Th’ Expense of Spirit line 11) Desire and destruction tie “Stellafly” and “Th’ Expense of Spirit” together. The differences in these poems are mainly formal. Shakespeare’s poem is a sonnet. It is general of its discussion of lust. There are no examples of how it tears people apart – it just tells that it does. Ithaka Darin Pappas’ poem tells a story, it has two characters, a narrator and some specific action. Lust’s evil influence is seen in a certain series of events. With its fourteen-line form, Shakespeare’s sonnet has a typical English rhyme scheme of abab cdcd efef gg. The sonnet has three quatrains about lust. The first talks about what a shameful action it is, the second is about how lust is like bait on a hook and the third is about how the anticipation is good, but afterwards lust is a big let down. The rhyming words at the end of the lines such as, “shame, blame” (lines 1 and 3) and “well, hell” (lines 13 and 14) are intelligently placed: they are connected words that intensify the point, or they are contrasting words that show the two-sidedness of lust. Shakespeare cleverly uses words with more than one connotation as with, “On purpose laid”, employing an economy of words to relate to both bait and sex. (line 8) The ending couplet, “All this the world well knows; yet none knows well / To shun the heaven that leads men to this hell.” Concludes the poem with a summing up statement. He says that everyone knows what he described in the first three quatrains, but no one is good in avoiding succumbing to lust because the short-term pleasure and anticipation block out the looming let down. Ithaka Darin Pappas’ poem really has no special form. His lines and stanzas guide how he wants readers to follow. It is pretty empty of figures of speech, yet it is still effective. He repeats letters and uses capital letters to demonstrate the way words are spoken such as, “SSTTAAANLEYYEEEYYY!!!! (line 57) or “THAT’S NOT FUNNY STAN!!!!” (line 97). This is done because dialogue is an important factor of this poem; colloquial speech gives it its flavor and attractiveness. Shakespeare is a known anti-Petrarchan and we can see that Ithaka Darin Pappas is too. The choice of the name “Stella” for the love interest in his poem is stated to be from Tennessee Williams’ play A Streetcar Named Desire, but it also seems to be a reference to Petrarch’s Stella. Pappas’ Stella is shown in an anti-Petrachan way. “The girl spent money like an Arab” (line 34) and “Who the fuck takes a cab from Hollywood to the beach?” / RENT A CAR! I told her (line 47-48) Show the readers that the man who loves Stella sees her in a realistic light; he loves her as the eating, breathing human she is. He obviously knows her well. This is important in the poem because it makes the let down of their sexual act that much stronger. Their desire for one another was not just carnal, but since they were so timid with the love they had, the guilt surrounding their tiny sexual experience completely destroyed everything they had had. Stella ended up leaving, but four months later she left a message: “It’s Spring here, she said on my answering machine, / the sun is shining, / the flowers have blossomed………..I miss you Stan.” (lines 158-161) ‘Four months of guilt and regret and loss to recognize destroyed love and maybe rehash it. “All this the world well knows; yet none knows well / To shun the heaven that leads men to this hell."4 explains why century after century man still falls victim to intense desire. It is the breakdown of self that can make us into one, and it is the becoming of one that can rip us apart. However the flame of desire will continue to burn and the heaven it creates will forever overshadow the “hell”. Pyramus and Thisbe said “goodnight” to one another at bedtime with the suppressed longing of Stella and Stan. Shakespeares’s rundown of carnal desire is “Savage, extreme and rude…” (line 4) as is Donne’s journey in satiating his appetite for the devine. The four poems, “The story of Pyramus and Thisbe”, “Stellafly”, ‘Batter My Heart Three-Person God and “Th’ Expense of Spirit” bridge the centuries. Seeking to honor their wishes, each poet is faced with and must deal with the omnipresent destruction of desire. As long as man can glimpse the paradise of met desire, the looming, burning inferno will be both ignored and stumbled upon. 1 Ithaka Darin Pappas, “Stellafly” Lava Magazine (Vol 1 –issue 2, September 1994) pp. 30-31 2 Wm. Shakespeare, Sonnet #129. “Th’ Expense of Spirit” (repreinted in Own Stanley, English 4 Course Reader, UCLA: 1994) ___________________________________________________________________________ Sonnet 129: "Th'expense of spirit in a waste of shame" BY WILLIAM SHAKESPEARE............................................................................. Th' expense of spirit in a waste of shame Is lust in action; and till action, lust Is perjured, murd'rous, bloody, full of blame, Savage, extreme, rude, cruel, not to trust, Enjoyed no sooner but despisèd straight, Past reason hunted; and, no sooner had Past reason hated as a swallowed bait On purpose laid to make the taker mad; Mad in pursuit and in possession so, Had, having, and in quest to have, extreme; A bliss in proof and proved, a very woe; Before, a joy proposed; behind, a dream. All this the world well knows; yet none knows well To shun the heaven that leads men to this hell. ______________________________________________________________________________ STELLAFLY by Ithaka Darin Pappas ................................................................................................ She landed like a fly. She left like a fly. The apartment across the hall had been vacant for six months, then suddenly without warning became occupied. She was from the east of Canada, absolutely beautiful, brains too. And I told myself at first sight, she’s trouble. And she was, more than I could possibly imagine. A real fireball-motormouth type, but I really liked that at first, (I like talkative people). The third night she was there we walked down to the New Beverly Cinema, (which was actually an old revival house) for a showing of Street Car Named Desire. And from then on- we began calling each other, Stella and Stanley. Whenever I’d come back from a job or something I’d yell up to her window, SSTTELLLLLLAAAAA !!!!!!!!!!!!!!!!!! But more frequently than not, It’d be her that was coming home from job and yelling SSSSSTTTTTAAAANNNNNLLLLEEEEYYYY !!!!!! She was working her little round ass off, making about ten grand a week as a human prop for fashion catalogue Didn’t even have a bank account when she first moved in. What do you do with the money?, I asked her. Well I bought some CDs yesterday and I got some clothes and…. I got this bag…. The girl spent money like an oil sheik. And even with her income was always borrowing from me for food and rent. One of her biggest expenses was taxi fares. She didn’t own a car. Refused to take the bus. And back in those days LA didn’t have a subway. Up to five-hundred dollars a day for taxis. To and from jobs. To and from stores. To and from the movies. To and from the beach. THE BEACH ?! Who the fuck takes a cab from Hollywood to the beach? RENT A CAR !!! I told her. But she didn’t have a license. She eventually took all of my advices. Opened a bank account. Stopped buying so many CDs Started buying used clothes. And bought two cars (still didn’t have a license), a big Ford Bronco which she almost never drove and an old convertible Mustang. SSSTTTTAAANNLLEEYYY !!!!!!! She’d yell as she drove down the alley. SSSSSTTTAAAAAANNNLLLEEYYYY !!!!!!!!! She’d yell as she pulled into the driveway. Then we’d make healthy, disgusting-tasting things to eat, drink cheap wine and talk almost all night on my big blue bed. But always in the middle of some deep conversation she spring to her feet and say sisterly, Goodnight Stan. Goodnight Stella, I’d say. Out my door she went and into her own across the hall where she would start making phone calls. Sometimes I’d hear her talk on the phone for two or three hours back home to Canada; to her gingerbread family, to her old friends… and to her old boyfriend. I was her only friend in LA and the phone was THE form of communication she could not live without out, (her phone bill was easily four times more than her rent). But I loved this little girl. Miss-nineteen-year-old- motor-mouth-know-it-all. She loved me too, but was afraid to admit it for the simple reason I didn’t look good on paper. No regular job. Skin too dark. Used too many fuck-words. Unsuccessful as a photographer. Unsuccessful as an artist. Whatever would her gingerbread family back home think? And her friends? And her old boyfriend? Afterall, this whole charade of a life she lived was strictly for them, just for effect. Many weeks in advance, we’d planned to go skydiving together, but on the day we had reserved at the skydiving school we got up at four-thirty a.m. and drove all the way out to Paris, California just to discover the wind was too strong for any planes to go up. She was absolutely heartbroken, didn’t say a word the whole drive back. What’s wrong, Stella ? I dunno. The problem wasn’t that her long anticipated first jump had been postponed. It was that she’d already told everyone in Toronto that she’d be jumping TODAY And no doubt they’d be calling later that night for a documentary. What’ll I tell them? she said. That you’re dead, I said. THAT’S NOT FUNNY STAN !! One night not long after, we’d gone to a big Hollywood Christmas party and gotten completely wasted on mixed tropical drinks. We took a cab home. Then talked for a while on my bed. She put her arms around me, stabbed her tongue into my mouth and climbed up on top of me. She pulled out my dick through the zipper, slipped it under her mini-skirt, around her panties into her unbelievably hot and tight wetness. She rode it. Once up. Once down The must have remembered her loving family, friends and old boyfriend back home in Toronto. I can’t do this, She said rolling off of me standing up and pulling down her skirt simultaneously. I CAN’T DO THIS !!!! She stormed out of my door and into her own across the hall. She called somebody in Canada and began telling them how exciting the party had been. Eddie Murphy was there, I overheard her say. He wasn’t, but there was a black guy tending bar, (maybe they all looked the same to her). The best and worst fuck of my life. The Best , because I loved that little bitch and had waited five months for The Dip. The Worst, because of its four-second duration and transformation of a girl who talked, laughed and ate with me… and cared about me. into one who only said, Hi Stan. Bye Stan. The next weekend I went up to Ventura County to go surfing. And hen I got home Sunday night, she was gone. No note. Nothing. Her apartment was unlocked. Vacant. No furniture. Nothing. Everything was gone except for the cars which she’d left across the street in the Post Office parking lot. The Bronco was stolen the third night. The Mustang was towed by the city about a week after that. In like a fly. Out like a fly. She’d mixed up my head. She’d driven a fork right through my fucking heart. She’d nibbled and chewed all of the self-confidence from my bones …..and still … still had the nerve to call four months later from Paris…France. It’s spring here, she said on my answering machine. The sun is shining. The flowers have blossomed. …I miss you Stan.

Tuesday, April 18, 2023

"Zé Dos Cães" Author Ithaka Darin Pappas rereleases 1993 mini novel José of the Dogs

Zé Dos Cães, a surfing-related short story by Greek-American author Ithaka Darin Pappas is from a collection of stories entitled, Ravenshark Chronicles which have appeared in international magazines such as; Blue (Germany), Fluir (Brazil), Hardcore (Brazil) Good Times (Greece), Onfire (Portugal), Surfer (USA), Surf Portugal, The Surfers Journal (USA), Water (USA) and Wavelength (UK). Ithaka Darin Pappas (or simply Ithaka) grew up in Southern California. He began traveling at a young age and has since resided in a handful of other countries such as Brazil, Greece, Japan, Mexico and Portugal. The stories in his Ravenshark Chronicles series include; Adventures In Advertising, Carcavelos Browns, Miracle At Malibu, Moema, Moments Of Insanity, Oxygen Falls, Palm Tree Reef, Stilts, The Forgotten Four and Zé dos Cães. Independently released by Sweatlodge Publishing, stories from Ravenshark Chronicles are currently available individually as mini novels thru Amazon and other online booksellers as well as in participating brick and mortar surf shops around the globe. A collective hardbound edition including all ten stories (entitled Ravenshark Chronicles) is presently in progress with a planned release in October 2023.

Sunday, February 26, 2023

Moments Of Insanity: Part One new book by Ithaka Darin Pappas

Moments Of Insanity: Part One a short adventure story by Ithaka Darin Pappas released in February 2023 by Sweatlodge Publishing. The story revovles around a day trip to an unihabited island of the coast of the state of Rio de Janeiro, Brazil

Wednesday, January 18, 2023

"Oxygen Falls" by Ithaka Darin Pappas

https://www.amazon.com/dp/B0BSL7YQRP
"Oxygen Falls" a short story from the series Ravenshark Chronicles by Ithaka Darin Pappas now available as a paperbook at: https://www.amazon.com/dp/B0BSL7YQRP

Monday, January 9, 2023

"Miracle at Malibu" by Ithaka Darin Pappas (now on kindle)

Pitted in an Aurora Borealis moment, the glowing lip was funneling electrically around him, his face totally illuminated by the blue-green phosphorescence. excerpt from Miracle at Malibu by Ithaka Darin Pappas
https://www.amazon.com/dp/B0BRYCH6CF/ref=sr_1_2?qid=1673324317&refinements=p_27%3AIthaka+Darin+Pappas&s=books&sr=1-2&text=Ithaka+Darin+Pappas

Wednesday, June 18, 2014

"THE FORGOTTEN FOUR" a short story about surfing in the mid-atlantic by Ithaka


"THE FORGOTTEN FOUR" 

a short story by Ithaka 

published by Water Magazine 

for his column Fishdaddy Chronicles (c. 2002).

____________________________

THE FORGOTTEN FOUR
by Ithaka Darin Pappas
............................


There are no waves there…
there are no beaches.

Not exactly encouraging,
but in this case considered a lead.
My L.A. neighbor Cristina Casmiro,
telling me this now,
had said exactly the same thing
about her native island Pinheiro
three years ago.
I’d ignored her warning,
gone looking for surf anyway
and ended up SCORING.

This time the inquiry
was not about Pinheiro,
(the main island in the chain of five),
but of the much smaller
“forgotten four”
located a hundred miles to the south.

Two of the islands
were strangely absent
from one of the three world-class atlases
I’d purchased.
And although each
over five miles long,
none of the four
were even individually named,
appearing only as Ilhas Abandonadas.
Cristina was the only person
I’d ever met
who had even seen these islands.

As a teenager,
she’d been there a few times
on her Dad’s fishing boat
and had described them to me as:
Narrow, very mountainous,
with steep, near vertical cliffs
falling directly in the sea…
with NO waves.
But I wasn’t convinced the place
was a complete write-off.

Fourteen hours out of California
and three hours off
the European continent,
I landed on the mother island,
and was now heading
toward the docks
to meet Gustavo,
a forty-something year old fisherman
Cristina had put me in touch
with by internet.
Via-email,
he’d already agreed
to take me to The Forgotten Four
and I’d already agreed to the fee,
but first impressions were not solid.
The guy looked liked a junky…
and his boat even junkier;
an open 15-foot wooden skiff
with a small outboard motor attached.
No cushions. No lifejackets.
Hardly an ocean-worthy vessel.
But hell, the guy had lived this long, right ?

Gustavo wanted to leave at sunset,
but it was still only about 5pm,
Vamos jantar ? (let’s eat ?), he suggested.

We entered a small,
whitewashed restaurant
where he obviously had history
with the toothless girl
behind the counter.
And judging from the way
they goo-goo eyed each other,
that was probably
his basketball in her tummy.

He introduced me
to the girl me as,
Americano
(fucking bastard had already
forgotten my name).

She brought us a huge
ceramic pitcher of red wine
and a cheap three-gallon,
plastic fishing bucket
full of about a hundred rock-barnacle,
snail-type creatures.
Tiny sea-fleas jumped out of the bucket
and on to the table
as my honorable captain
showed me the proper way
to eat live “lapas”
……scrape them out of their shell
using another shell
and throw them down your throat
before they have a chance
to crawl away.
Two strangers playing a kind
of gastronomical version
of Russian Roulette,
competing who could eat the most.

It was pretty sick
to tell you the truth,
the endless supply of wine
making it only slightly more bearable.
But in Pinheiro…do as the Pinheirenses.

As we approached
the bottom of the bucket,
I looked around the small dining room.
Most of the other clients
were eating Lapas too,
except theirs were cooked
and served on blue and white plates
and covered in melted butter,
lime juice and salt.

Gustavo started giggling like a sissy,
with the girl right by his side,
about to have an asthma attack.
Some of the other eaters
were cracking up too.
It wasn’t the first time
they’d played this joke.

Of the four isles,
three had never
even been inhabited.
The fourth (the southernmost)
had supported a fishing village
of about three hundred
and fifty people until 1989
when an earthquake
and following mudslide
killed thirty residents
and buried most of the town.
Most of the survivors left.

Some went north to Pinheiro.
Most migrated to the Americas.
But a core crew of about twenty stayed,
shoveling mud for months,
Surviving on subsistence farming and fishing.

Clear calm night
with about a zillion stars.
For the first couple of hours
we stayed in the swell shadow
of the main island,
then crossed behind
the Abandonadas
where it was even calmer.
Sheet glass.
In the half-moon light
we could see their silhouettes,
all continuing segments
of the same submerged mountain chain,
each separated by
only a couple of hundred yards
mirroring off of the oceans surface.
One of those rare visuals that are
so beautifully real ,
they appear to be false
like a soundstage at a
Hollywood movie studio.

At dawn we chugged
into a small transparent inlet.
Two tiny boats were dry-docked
on the rocks.
Behind them,
a red dirt trail zigzagged
up the mountain,
disappearing into
almost fluorescent green growth.

After ten hours at sea,
Gustavo didn’t even get
out of the boat to rest
or eventake a leak.
The place is cursed
he’d said repititivley .
We’d agreed to meet here
at the cove seven days from today.


What was left of the village
was located on the opposite side
of the island,
a thirty-minute walk.
But thirty-minutes in Gustavo-time
was really two and a half hours
of steep traversing
just to reach the summit.

From the perch off the island,
it felt like standing on the hump
of a colossal sea monster.
Surveying from north to the south,
it was easy to see
both west and east sides
at the same time.

On the east, lake-like calmness.
But on the west…lines.
Not big, but consistent.
Traveling all the way
from the northernmost Atlantic
to be wasted along the base
of a thousand-foot cliff.
But about a third of the way
down the island
was a flat low-lying peninsula
extending out from the cliffs
for five-hundred yards,
(the result of thousands years
of seismic dismantling).

The wind was onshore
and the tide a little too high,
but rolling down opposites sides
of the flat were surfable right
and left point waves.

On the peninsula itself were
the carcasses of about fifty
black, lava-rock houses
that had laid abandoned since 1989.
And about ten other homes
painted in white.

The black ones had no roofs a
nd were all at least half- strangled
by the overgrowth.
But the white houses,
those closest to shore,
had red clay shingles
and were surrounded
by immaculate gardens.


Olaaa! cheered a baritone voice
scaring the shit out of me.
The smiling brown man
with ridiculously large ears
introduced himself as
Antonio, a resident farmer.
I identified myself as
Pappas, a traveling….student.
BEM-VINDO, he greeted
as if I’d been an expected guest,
Vamos almocar ! (let’s lunch!)
he proclaimed.

We arrived at Antonio’s
two-room home
where his wife Luisa
was preparing a communal meal
for all fifteen residents of Atalaia Island,
(the place had a name after all).
Potato soup mixed with red wine
and LIVE lapas !!!
Gustavo
and his prego-bellied accomplice’s joke
hadn’t gone to waste,
it had been training.

Luisa was complaining
that ants that had gotten
into the bread dough.
Are there ants on the mainland,
young man ?, she asked me.
Believe it or not, s
he’d never been to the mainland,
or even up to Pinheiro.

With my new friends
looking on in approval,
I casually downed about twenty
of the biggest lapas on the table
(bridging both the language barrier
and generation gap in a single sitting).

Hadn’t slept in days
and was about to drop.
Prepared to camp,
but they weren’t haven’t it,
insisting that I stay in the large stone shed
that had once housed the island’s padre.
______________________________________

In the nocturnal depths of delusion,
the lapas were breeding
in my stomach,
Trying to take over my body
from the inside out…
Whack !!!
The first shot rang.
Whack !!!
I was on my feet.
WhackK !!!
What the….???
WHACK !!!!!!!
Sounded like a Texas-style hail storm.
I inched the door open.
The storm was coming
in from the East.
WHACKK !!!!!
Whizzing by in a vacoom,
fist sized raindrops were
exploding like small water balloons.
In addition, the wind was carrying
small stones off the top of the cliff
and a quarter of a mile down to my roof top.
When it rains here, it rains rocks too.

But by daybreak
both wind and rain had stopped.
And by lunchtime,
the right was doing
a pretty decent impersonation
of overhead Swami’s…..
(with no other surfer or surfboard
around for a hundred miles).

It’s always freaky surfing
somewhere where no one surfs.
No one’s around to tell you
where to get in and out of the water,
which tides will kill you
or warn you of any antagonistic sea life.

I tried paddling out at the micro- cove
just south of the village
and was violently swept farther south
toward the cliffs.
From there the only way
too get out would’ve been
paddling down the entire length
of the island,
around the tip and back up
to the boat cove on the other side.
Six miles with current.
Fuck that.

I took the foam straight back to the rocks,
walked up a quarter of a mile
to the beginning of the left,
paddled through an assault of white water
and found myself being pulled
into good position for the right.
A few ceiling high waves
came through.
I snagged one thinking
it would be an easy down- the line run
and got slammed.
A LOT faster than it looked.
Makeable, but not
from the absolute outside.
Paddled down a-ways,
found my groove and started gettin’ busy.
A year’s worth of quality waves
in a single afternoon.

The next morning,
I rode the middle left
in front of the salt pond.
Softer-shouldered
but connecting all the way to the inside.
Unfortunately, the wind
kept shifting directions.
Offshore. Onshore. Side shore.
Offshore. Onshore. Side shore.
I’d be ready to get out of the water
and then it’d switch offshore again
or go glass.

I’d been ignorantly assuming
That the primary swell direction
this time of year was always from the North,
but this swell filling in definitely
had southern orgins.
And the following,
the right revealed it’s hidden personality.
Meaty and bowling hard.
The waves now launched you
down the point like a catapult.
Felt myself going faster than I had
in a long, long time
with little effort of my own.
For this reason, it was difficult
to stay deep enough
to get really barreled.
A couple of nice slots though,
got slaughtered on a few too.

Saturday: small
(the swell window
is really small here).
Up on Pinheiro,
these 24-hour swells were actually three-dayers and
probably twice the size.

New arrivals today
from the main island;
a family that had left after the
earthquake-now back
for their annual vacation along with their kids
(the daughter, an exotic twenty year old).

Because the shore
was too steep and jagged
for beach-going,
the spot to hang
was a fifty-foot strip
of black sand
on the village side of the salt pond.

One of the most euphoric days
in my life…eating fish
and gulping down wine
and firewater
with nineteen kindred souls
in the Garden of Eden.
I never return to places
I’ve experienced real magic.
And after only a couple of days
on Atalaia,
I already knew I’d never
be going back there.
You never know if it’s the place itself
that’s incredibly special,
or that small envelope in time
you spend there.
You walk around through life
with these amazing Technicolor memories
(it’s all we really have in the end)
and if you go back
and it’s not the same,
it’s destroys everything preceding.

The sun disappeared
and a big fire was lit.
Expecting someone to fetch a guitar,
I was amazed
when four large African jimbaes
appeared out of old Mr. Campos’ hut.
The men drummed.
And Luisa, Mrs. Campos,
the newcomer wife
and her babe daughter
hauntingly sang to all
who had been lost at sea.
Looking like voodoo goddesses
under a silver moon,
these were Ulysses’s sirens reincarnated.

Being in old dialect,
I didn’t understand
many of the words,
but it was enough
to get my spine tingling.